The name Kinamic itself carries profound meaning.
It is inspired by Kinam, the highest grade of agarwood known to mankind. As a purist and lifelong lover of oud, this was the only name that made sense. Every Kinamic release will embody the symbolic standard of kinam
The second part of the name is a nod to my personal Instagram page—Kinamic Notes—where I explored the complexity of rare agarwoods and resins, note by note, scent by scent. It was never just content. It was a ritual.
The inspiration behind Kinamic is as intricate as the fragrances I love—layered, nuanced, and evolving. What began as a private collection has now transitioned into something much more—a brand born not out of a desire for financial gain, but out of the urge to share my olfactory journey with a wider community
Over the past few years, I’ve shared rare ouds, attars, and perfumes from my private collection with close friends and trusted acquaintances. Time and again, I had to say no—not because I didn’t want to share, but simply because the quantities I had were too limited.
Many of the fragrances I wore were custom-made. These bespoke creations were born from deep collaborations with perfumers I trust—artists who understand the kind of complexity I seek in scent. One day, a close friend said, “Why doesn’t this perfumer create something like this for the public?” My answer was simple: ingredients and sustainability.
In the world of perfumery, especially when you’re running your own brand, it’s hard to balance creativity and sustainability. Even the best perfumers often have to tone down their artistry to meet business requirements—profitability, ingredient availability, and long-term brand DNA. Serious collectors know this well. Many revered artisanal brands no longer produce the kind of boundary-pushing scents they once did. It’s not just about ingredients—though oud, musk, and ambergris are indeed getting scarcer—it’s about the pressure to keep releasing while staying profitable.
This is why Kinamic will never follow the path of mass production.
Masses make money—but that’s not the goal here. I want to offer limited-batch perfumery, made with the finest ingredients, in collaboration with Master perfumers. These aren’t just any perfumers—they’re seasoned professionals, trained in the art, not self-taught overnight sensations. I’ve met many in the industry, and once, I asked a so-called perfumer, “How can someone who took a few online courses compare themselves to someone who studied perfumery for years at an institution?” The silence said everything.
Every Kinamic release is the result of intense co-creation. I provide ingredients from my private collection, and together with the perfumer, we go through countless trials until we find a scent that satisfies both our sensibilities. I am obsessively particular about this process. Each release must reflect a level of depth and artistry rarely seen today.
We don’t chase big names—we chase big art.
We could easily hire a master perfumer with a famous name, invest in a single blend, produce 1,000 units, and sell out through global distributors in weeks. That would make me 2–3 times my investment, easily. But that’s not Kinamic.
Instead, the cost of ingredients alone in our blends often matches what others would pay for a perfumer’s name. That’s because we’re here to change how things work. We don’t compromise. We don’t dilute our vision.
And this is Kinamic: a ritual of scent, a devotion to the rare, and a promise to never compromise. In the future, we’ll also release vintage oud oils, animalics, and florals from my private collection—but only when the time and composition are right.
We don’t rush. We release with purpose.
